Hay Festival: Final Image

My final image for my hay festival using scan wallpaper textures and Photoshop.

bannercmyk

I have reduced the number of golden apples as I felt the image was getting rather crowded.

I like the textures, however on a small scale they make the image seem somewhat overly busy. I feel that when it is scaled to twice the size (1m x 3m) it will feel less crowded and more spaced out.

I my planning drawings I have had a line around the image that held the forms together better however I was unable to find a line quality within Photoshop that suited the image. I have instead added a drop shadow to what will become the individual vinyls, as this helps to add the definition that was lost from the lack of line and has given the added effect of it being created with paper-cut.

Advertisements

Hay Festival: Finalised Banner Design

Below is the final design layout for my banner.

template002

I have added additional objects to find and have started to decide on numbers as well, as of this design there is:

  • 10 red riding hoods
  • 3 big bad wolves
  • 30 yellow/gold apples

I feel like this maybe too many things and may end up at least decreasing the number of golden apples.

I have decided that i order to create my imagery, I will scan in textured and patterned paper (see below) I have collected and collate them in Photoshop.

textures
(Top row) tree and bush textures (Bottom row) trunk, cloak and apple, and basket textures
textures2
Golden apple, wolf and dark textures

Carousel Book: Circus Animals

One of the best books I have produced is the carousel book, or Japanese star book, on the theme of fairgrounds. I decided that I wanted to do circus animals as I thought I would be able to create an interesting and fun book.

After drawing out designs for my animals, I cut them out of ink coloured paper, easily creating full colour textured images.

My book has ended up being rather nontraditional shape for this type of book, as mine is a tall, narrow, portrait book as opposed to a more traditional landscape book.

 

I have kept the background constant to keep the focus on the animals themselves. I think the fact that some of the animals stick out outside the boundaries has added more depth to the illustration, something that was perhaps lacking due to the narrow shape of my book making the 3-dimensional nature of carousel books almost nonexistent.

Japanese star books form a star shape when looked at from above and below, although because of the nature of my illustrations, mine only does this prominently on the bottom.

 

Encyclopedia of Fantasy Beasts

I decided to create an encyclopedia about mythical creatures as this was a subject I knew a fair bit about and could have some fun with the illustrations. After looking through lists of some different creatures I decided I would do:

  • Basilisk
  • Cockatrice
  • Dragon
  • Kraken
  • Leviathan
  • Pegasus
  • Unicorn
  • Werewolf

I chose as in alphabetical order in they bear similarities on adjacent pages; IE, Basilisk and Cockatrice are cousins, Kraken and Leviathan are sea monsters, and Pegasus and Unicorns are horses.

Each image is paper cut from ink stained paper with details added in black and white pen. The illuminated letter at the beginning of each title is also cut from paper and embellished with pen.

I have decided to keep the text a mixture of “serious facts” and small comical notes; for example, i have included in depth facts about dragon biology but also notes referencing video game developers Nintendo and a song from 1978 by Warren Zevon.

I wanted the overall feel of the encyclopedia to be like a travelers journal so have aged the paper using coffee and handwritten all the text. I have also included smaller pencil sketches to highlight parts of the text.

I feel that overall the book is successful but some pages are more successful than others. When the pages were bound some of the text was too close to the edge of the page and has been cut off.

werewolf-bind
Text cut off by the binding process

Despite this, however, the book has the journal like qualities i was hoping for, especially with the faux leather cover I have bound it in. The jagged edges on the cover and worn nature of the faux leather has given the book the ancient, old feel I envisioned at the start of the project.

front-cover
Simple front cover

The book has been successful however if I were to make it again I would type the text to keep it uniform, make sure to leave a margin on the sides of the page to stop text being cut off after binding and add card to the cover to give it some form of stability.

 

Image

How to Catch a Ghost

Given the task of creating a “how to book, I decided to make a book on how to catch a ghost. After discounting a few more serious sketches about how to catch a ghost I thought I would be keep pretty lighthearted and fun as some of the illustration I had been coming up with fitted more with the notion of it being for children.

After sketching out my final illustrations, I decided I would make them using paper cut. I photocopied pages from a book of random imagery and textures, as well as objects and clothing, to create backgrounds for the images. By over-copying  and doing them on the black and white setting, it created a grainy effect similar to old horror movies; an effect that added to the theme in a subtle way. The ghosts are made using tracing paper which has given them an eerie, translucent quality.

I feel that some of the pages are more successful than others. The most successful and interesting pages are “Snare ’em/ Cage ’em” and “Bottle ’em/ Bag ’em”; this is mostly because of the interesting textures and overall composition of the pages, as well as their simplicity. The least successful pages are probably “Hook, line and sink ’em” as the textures in the background are too dark to see clearly and just looks like dark grey, and “Rope ’em” as the number of times I had to copy the texture to get it right has left it particularly grainy and has drastically reduced the background quality.

I decided to add a cover to the book. The front cover image is an unused image from a project from last year. I decided to keep the back simple and added a little ghost in the vein of an icon.

This was one of my more successful books. This might have something to do with a) having more freedom in the subject matter and b) keeping the media and image making techniques constant through out the book.